Silver Screen Shimmy (2009)



Silver Screen Shimmy, a two channel video piece, is a recording of live performance at the Galway Arts Festival as as part of MART's Open Door Policy

This saucy cabaret chick shows off her goods in Silkes shop window. Seduced by the lure of her black frills smalls and her red hot lips the viewer gets more than they bargained for.

Silver Screen Shimmy explores the screen as mirror and a slippery, elusive and distorting surface. This seeks to question modern forms of narcissistic display whilst still indulging the female subject's desire to razzle dazzle 'em.

The slippery surface of the screen starts to scupper her erotic performance, as if to communicates the danger of investment its shinny surface.As she slips down the screen she moves between erotic and wretched as she struggles to maintain what is left of the erotic pose. The female transcends from the classic narcissistic object to abject body, her desire to be looked at distorting her body through the contact with the screen.

The use of the dual screen contrasts the external spectacle with a more internal experience of the female performer. The two screens have a mirroring relationship to each other, their synchronicity materializing through the females movements. Yet an asymmetry between the two shots distances them, suggesting a mirror of misrecognition as well as narcissistic identification.

Silver Screen Shimmy at Visual Deflections

Images of Silver Screen Shimmy in installation and projection as premiered in Visual Deflections . This two screen video piece is a recording of live performance at the Galway Arts Festival as as part of MART's Open Door Policy



Silver Screen Shimmy explores the screen as mirror and a slippery, elusive and distorting surface. This seeks to question modern forms of narcissistic display whilst still indulging the female subject's desire to razzle dazzle 'em.










Visual Deflections Featuring Piplotti Rist

Press release for Visual Deflections a project that I have co-curated and featuring the premiere of my video Silver Screen Shimmy

Visual Deflections featuring Piplotti Rist

Curated by Eleanor Lawler and Katherine Nolan
Corbet Place: Sat 29th August 2009, 6.30pm till late

(Entlastungen) Pipilottis Fehler <(Absolutions) Pipilotti’s Mistakes>, 1988, video by Pipilotti Rist (video still). Courtesy the artist and Hauser & Wirth

Piplotti Rist’s pioneering video work has been aspirational for a generation of emerging artists. This event will screen a selection of these artists alongside Rist’s (Absolutions) Pipilotti’s Mistakes. Her influence is reflected in the concept of Visual Deflections, a homage to her use of disjuncture and distortion

The idea of Visual Deflections infers the interruption of the image through distortions of time, movement, light and space. It may also suggest a manipulation of assumptions and identifications that reverberate between the spectator and screen

The works will be shown as a screening from 6.30 Sat, and video installation will continue until Sun 11pm. The venue, Corbet Place , is part of the The Old Truman Brewery at the heart of Shoreditch’s vibrant creative scene. The brickwork of the club provides a stripped back aesthetic for the screening, which will be followed by music curated by Back to the Wood

Artists: Piplotti Rist, Clint Enns, Ted Sonnenschein, Tessa Garland, Katherine Nolan , Eleanor Lawler, Jonathan Gilhooly, Jan Hakon Erichsen, Ciara Scanlan, Victoria Melody, Anders Weberg, Theo Tagholm,Lisa Flynn, Hillary Williams, Mathew Guillford , Alan Magee, Jeremy Newman, Saskia Vermeulen, Angelo Picozzi , Liam Herne, Sarah Breen Lovett, Ella Bertilsson , Lia Chavez, Vanessa Daws.

Corbet Place
The Old Truman Brewery
15 Hanbury St
E1 6QR
Tube: Liverpool St
MAP
6.30 pm till late
Free Entry